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We’ve updated our Terms of Use. You can review the changes here.

Inviolate Light Being

by Liquid Asset

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    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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      $6 USD  or more

     

  • Limited Edition Cassette
    Cassette + Digital Album

    Includes unlimited streaming of Inviolate Light Being via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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Boo Jam 03:38
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Bundaa 07:15
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Inviolate 05:02
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Purrr 06:36
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Smoked Out 03:30
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Snow Willing 10:07
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about

We're excited to announce our next release, a 12-track album called "Inviolate Light Being" from North Carolina//NYC's Liquid Asset.

Alene is a respected and infamous gear wizard. Not only does she create her unique sound with an impressive roster of machines, she's modded a lot of that gear to fit her style. Because of her impressive rig, we thought it would be interesting to get a glimpse at the tools she used for the release:

"Inviolate Light Being was written over the course of a few years, the main eras of which were before and after I finished building my TR-808. Songs made pre TR-808 ("Swelling Streams," "Snow Willing") were made with an Akai AX60, Yamaha RM1x, Korg Wavestation, and an Electribe ES-1. After building the 808, it was all I wanted to use so I mostly started using a Korg Mono/Poly which I could trigger sequence directly from the 808, as well as a Wavestation A/D (for tracks such as "Wet Leaves," "Purr," "Bundaa"). The main effect is Electrix Filter Factory and some delay. In addition, the concept behind "Inviolate Light Being" was to create a release that was an expression of joy, which is something I'm trying to make time and space for."


All tracks written and composed by Alene Marie
Mastered by Ryan Wurst
Artwork by Darren Cutlip

credits

released July 10, 2017

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all rights reserved

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about

Jacktone Records Chicago, Illinois

Record label run by Doc Sleep and dabecy specializing in techno, house, ambient and experimental electronics. Parent label of Dreamtone.

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